Sunday afternoon operatic radio blogging

Happiness is coming home from an afternoon’s grocery-store trip, turning on the Sunday Opera Matinee in mid-broadcast, thinking "hey, is that Strauss?" and then realizing, as the strains of Baron Ochs’s waltz emerge from the radio, that they’re playing Der Rosenkavalier, and one has arrived home in time to hear all of the last act.

…Well, happiness if you’re me, at any rate. Now if you’ll excuse me, Act Three has already begun and I don’t want to miss the Trio at the end.

(Updated slightly later to link to an especially apt quotation courtesy of About Last Night.)

The poetry of librarians

Look, it’s a reference desk sestina! From TangognaT, who’s also written reference haiku. Marvelous.

I am inspired. Henceforth my diary-esque posts will take the form of short autobiographical free verse poems in the manner of Frank O’Hara. (My lunch hour walks have been accompanied by lots of "I do this, I do that" inner monologue lately, so an homage to Lunch Poems seems the most appropriate response.)

Pre-election resolution

I’ve come to a decision. No more political blogging for me until at least November 3rd. There’s plenty to get worked up about, but the trouble with me getting worked up is that once I’m up-worked enough to post about it, writing the post just perpetuates the state of mind (brooding, anxious, enraged). Michelle sometimes refers to her own writing as a purge of what’s inside her head; for me, I think it works in the opposite way, keeping otherwise transient thoughts from getting away, which sometimes just keeps them rattling around in my head. So I start writing about something, e.g. the latest depressing Salon article about frothing-mouthed homophobes in Ohio, and the whole process turns into a feedback loop of "Aaargh!" and "Look, more links to back it up!" and "It’s even worse than I thought!" (No wonder I’ve been having trouble sleeping.)

I suspect that self-induced panic* is not especially good for my overall mental state, nor is it especially helpful to spread around. There’s already too much anxiety in the air without my sitting down and detailing everything that’s currently worthy of a freakout. I need to think about other things for a while, and fortunately there’s a backlog of other things to post about. So, coming up next: the problem of organizing one’s notes; why bother to read (a series); and, as usual, much random bricolage.

* I’m thinking of the phrase "panic and emptiness," one of the refrains of E. M. Forster’s Howards End, particularly the description of the Beethoven concert in chapter 5:

"No; look out for the part where you think you have done with the goblins and they come back," breathed Helen, as the music started with a goblin walking quietly over the universe, from end to end. Others followed him. They were not aggressive creatures; it was that that made them so terrible to Helen. They merely observed in passing that there was no such thing as splendour or heroism in the world. After the interlude of elephants dancing, they returned and made the observation for the second time. Helen could not contradict them, for, once at all events, she had felt the same, and seen the reliable walls of youth collapse. Panic and emptiness! Panic and emptiness! The goblins were right. …
     Beethoven chose to make it all right in the end. He built the ramparts up. … But the goblins were there. They could return. He had said so bravely, and that is why one can trust Beethoven when he says other things.

Just saying it’s morning doesn’t make it so

This morning I woke up, dragged myself out of bed in the still-dark, switched on the radio, stumbled to the kitchen to start a pot of coffee brewing, took a shower — thinking, all the while, "Gee, I’m tired. I must not have slept very well" — and then put on my bathrobe, my glasses, and my watch. As I was performing the last of these actions, I looked down at my wrist to see what time it was. At which point my still-on-autopilot brain registered that it was 3:30 in the morning. A glance at the clock next to my bed confirmed it: I’d gotten myself up four hours early. So I poured the hot coffee into a thermos, went back to bed, and slept until seven, when the alarm (which didn’t go off at three, which you’d think would have clued me in, but it didn’t) went off.

This wasn’t the first time I’ve woken up in the middle of the night thinking it was time to get up. On one occasion when I was in high school, I woke up at around two in the morning, absolutely convinced that it was in fact two in the afternoon — despite overwhelming visual evidence, i.e. pitch darkness outside, to the contrary. My mother, who woke up when she heard me walking around and bumping into things, had to argue with me to convince me that it was still night. My mind, when half-awake, is not at all rational, but it’s implacably stubborn.

You know, when I started this post I meant it to be a random funny journal-esque piece, but now I’m starting to see it as a political allegory. Somehow I’m recasting that two a.m. dispute into an exchange somewhere in the White House:

"Mr. President, sir, it’s not two in the afternoon. It’s two in the morning."
"No, no, it’s two in the afternoon. I believe that, and so should you."
"But don’t you see how dark it is?"
"You just have to have faith that it’s afternoon."
"Mr. President…How can you be so sure when you know you don’t know the facts?"
"My instincts. [Pause] My instincts."
"Mr. President, your instincts aren’t good enough!"

I borrowed the last three lines directly from an exchange between George W. Bush and Senator Joe Biden, as reported by Ron Suskind in this past Sunday’s New York Times Magazine. Said article has been linked all over the place, and has already made the phrase "reality-based community" a byword; the best take on it I’ve read so far is Teresa Nielsen Hayden’s post on pointy-haired bosses (hat tip to Rana). (By the way, those bitter guys Teresa talks about, who can’t understand why their manuscripts get rejected? I’ve met the college-age version of those guys a few times myself. They’re the ones who fly into a rage when they don’t get an A and insist that it’s all your fault that you don’t appreciate their brilliance. Fortunately, I didn’t have to deal with too many of these larval Pointy-Haired Boss types, but they do tend to leave a lasting impression.)

Elsewhere, Michael Bérubé thinks it’s all too much like science fiction (comparisons with The Matrix are probably over-obvious, so I’m happy to see a mention of one of my personal favorites, Dark City, instead). William Gibson is reminded of Robert Mitchum’s character in Night of the Hunter.

"We’re an empire now, and when we act, we create our own reality." That sentence says it all, really. It would be ludicrous if it weren’t so disturbing, coming as it does from people in high places who think they’re always right because believing something automatically makes it so.

My instincts told me with total certainty last night that it was morning when it wasn’t. And my apologies for stretching this analogy to such lengths. But all I can think now is, are we really going to re-elect a man who not only insists, based on his instincts, that night is day, but also refuses to back down when people point to the darkness outside the window?

And having said that, I am now going to take a long hot bath so I can relax before going to bed and this time sleep the whole night through.

Derrida and the hedgehog

I have been slow to blog about the death of Jacques Derrida. He wasn’t as formative an influence on me as he was on others, but his essay "Freud and the Scene of Writing," together with the text it comments on, Freud’s "A Note on the Mystic Writing Pad," helped shape key parts of my dissertation.

But the Derrida essay I want to mention is a lesser-known one, "Che cos’è la poesia?" ("What is Poetry?" or more literally "What kind of thing is poetry?"). My battered photocopy is buried in a box somewhere, and someone has checked out the UVA Library’s copy of the collection in which it appears, so I can’t quote at length. But I did find an excerpt at another blog:

Who dares to ask me that? Even though it remains inapparent, since disappearing is its law, the answer sees itself (as) dictated (dictation). I am a dictation, pronounces poetry, learn me by heart, copy me down, guard and keep me, look out for me, look at me, dictated dictation, right before your eyes: soundtrack, wake, trail of light, photograph of the feast in mourning.

It sees itself, the response, dictated to be poetic, by being poetic. And for that reason, it is obliged to address itself to someone, singularly to you but as if to the being lost in anonymity, between city and nature, an imparted secret, at once public and private, absolutely one and the other, absolved from within and from without, neither one nor the other, the animal thrown onto the road, absolute, solitary, rolled up in a ball, next to (it)self. And for that very reason, it may get itself run over, just so, the herisson, istrice in Italian, in English, hedgehog.

The image of the poem as hedgehog has stuck with me more vividly than a lot of what I read in graduate school. Looking at this passage again, I realize that I still think of poetry in many of the same ways: as a spiny thing, a fragile but stubborn thing, an "imparted secret" both anonymous and intimate, something that asks to be learned by heart, interiorized, dictated, carried away.

Assorted sensory pleasures encountered this week

Because sometimes you need some eye/ear/tastebud candy…

For the eyes: Zoom Quilt (how did they do that? — via things magazine); Balnea, a virtual museum of sea-bathing (via Ramage, which I can’t believe I didn’t discover earlier)

For the ears: the jazzy Brazilian French Japanese Italian noirish lounge stylings of Pink Martini. Their cover of "Que Sera, Sera," available in its entirety on the site, is one of the most sinister and disturbing yet gorgeously melancholy songs I’ve ever heard: it’s like Doris Day wandered into a David Lynch movie and got a job singing in an eerie blue-lighted nightclub. Go listen to it.

For the nose: Thanks to Cleis, I’m ordering some Black Phoenix Alchemy Lab perfume oils. I’ve always wanted to smell like a turn-of-the-century aesthete! Or a Roman emperor. Or a corrupt French aristocrat.

And, for the palate, a favorite recipe for the end of the week:

No-Stress Pasta Puttanesca

Chop up some olives as fine as you like until you have maybe half a cup. Peel a couple of cloves of garlic. Open and drain a can of Italian oil-packed tuna. Have on hand: a big can of tomatoes, some capers, and if you feel fancy, a few artichoke hearts (chopped). Start a pot of water boiling for pasta.

Heat some olive oil in a pan. Throw in garlic and a few flakes of crushed red pepper. Remove the garlic when it’s done cooking (it’s there to perfume the oil, mostly). Then throw in the drained tuna and sauté it until it’s had a chance to brown a bit. Add the tomatoes and let the sauce simmer. Meanwhile, cook your favorite pasta. When the sauce has thickened somewhat, add the chopped olives, capers to taste, and the optional artichoke hearts.

(If you really want to be authentic, use anchovies instead of tuna. If the tuna/tomato thing strikes you as too weird, you can leave the seafood component out entirely, but you’ll be missing out big time.)

When the pasta is done, top with the sauce, sit down with a big bowl of it, and temporarily forget the mess the world is in. Unless you’re feeding several people, there will be abundant leftovers for later occasions.

A meme for Friday

Via Professor Dyke: Post three of your…

Pet Peeves:
1) Double doors with one door locked for no apparent reason. (Why? Why? Why?)
2) The mixture of fear and disdain with which some people regard public transportation.
3) Microsoft frelling Word. AAAAARGH. (Insert stream of curses here.)

Favorite Sounds:
1) An orchestra tuning up before a concert.
2) The ocean from far away, when you have to concentrate to hear the sound of the waves breaking.
3) Rain on the roof at night.

Favorite Flavors of Candy:
1) York Peppermint Patties.
2) See’s truffles, the fruit- and coffee-flavored ones.
3) My grandmother’s maple fudge.

Biggest Fears:
1) That I’ll never have another girlfriend and die all alone and be found half-eaten by my cats.
2) That overuse of antibiotics will give rise to mutant super-bacteria and start an apocalyptic plague.
3) Being boring.

Biggest Challenges:
1) Not succumbing to the demons of Inertia, Procrastination, Despondency, and Sloth.
2) Following through on what I start.
3) Not giving out the impression that I don’t like people when in fact I’m just rather reserved.

Favorite Department Stores:
1) Target
2) Marshall Field’s
3) um…I don’t really go to department stores all that often, as you can probably tell.

Most Used Words:
1) Actually…
2) Dude.
3) Bloody hell!

Favorite Pizza Toppings:
1) Mushrooms
2) Barbecued chicken
3) Roasted garlic

Favorite Cartoon Characters:
1) Velma from Scooby-Doo (an early role model)
2) Marvin the Martian
3) The entire cast of Dykes to Watch Out For

Movies Recently Watched:
1) Hero
2) The Spiral Staircase (the 1946 version, not the remake)
3) Bright Young Things

Favorite Fruits:
1) Green figs
2) Raspberries
3) Mangoes

Favorite Vegetables:
1) Ripe tomatoes
2) Broccoli rabe
3) Mustard greens

Book interview opportunity for graduate students

Here follows an announcement from Anya Kamenetz, author of the Village Voice article “Wanted: Really Smart Suckers,” about which I blogged some time back. She’s looking for graduate students to interview for an upcoming book. I’m posting the announcement she sent me in case any of you who come here for the postacademic commentary are interested in participating. So, herewith:

I’m a freelance journalist working on my first book, which grew out of a Village Voice series called Generation Debt. The book is to be published by Riverhead Books, a division of Penguin, and is titled Class Dismissed: The New Realities of Youth, Life and Debt. I am interested in speaking with a variety of graduate students in their twenties or early 30s about their financial experiences, their loan debt, their ambitions and plans for the future. If you’d be willing to be interviewed by phone for about 30 minutes, please email me.

Thanks very much,
Anya (Anyaanya@gmail.com)

 

Earwormed with “Dixie” now

JibJab.com has reduced me to helpless laughter. See especially "Good to be in D.C." I especially liked the parody of the vice-presidential debate.

(Linked to by a variety of people, but I somehow managed not to go there and watch the movies until now. Bwah!)

Open letter to nearly all makers of women’s shoes

Dear women’s shoe industry as an aggregate,

Perhaps you can explain something to me. When I look for new shoes, I nearly always come away empty-handed. My standard shoe-shopping experience goes something like this once I’ve located a pair of shoes and tried them on:

– 85% of the time, they don’t fit my feet. My toes get crushed and my heels slide right out of the back of the shoe and my arches go woefully unsupported. Or else they sort of fit, but a few paces around the store are enough to suggest otherwise.

– 10% of the time, the shoes are comfortable, but they’re also boringly style-free. Dispiriting navy-blue loafers. Shapeless nondescript flats. Clunky numbers that say "I’m an old lady in orthopedic shoes." I don’t want to wear shoes like that until I actually am an old lady, and that’s a good thirty years hence, at least.*

– 5% of the time, they fit and they look good, but they cost more than what I spend on groceries in a month and I balk at the price.

I’m not including the shoes I don’t even bother trying on anymore: the shoes that look good on the shelf but expose big wide stretches of foot, making said foot look graceless and loaf-like; the shoes with super-pointy toes that are apparently not meant for walking; and the shoes that have nothing to secure my heel and fly right off my feet whenever I walk faster than a slow shuffle. (By the way, shoe industry, who among your ranks decreed that slides would be the big thing this fall, and what kind of drugs were they on?)

No, what mystifies me is the remainder, the shoes I try on but end up rejecting. Either I’m the only woman in the entire United States of America who has narrow heels and wide toes, or else you guys are all aliens from another planet, and your species is more or less humanoid except for some crucial differences in the bone structure of the feet. So perhaps you can enlighten me: am I the weirdo, or is it you?

And have you never heard of pleasing the customer? Or designing for usability? If all everyday objects were as badly designed as the average women’s shoe, we would be in serious trouble. Although according to Donald Norman‘s book The Design of Everyday Things, which I’ve just started reading, bad design is everywhere, so perhaps the problem is larger than you, shoe industry. But that’s still no excuse for the near-total dearth of shoes that fit.

And one more thing, while I have your attention: I want a nice pair of oxfords with a slightly stacked heel. What happened to that style? I am most distressed at not being able to find any lace-up shoes for work that don’t look like glorified sneakers. Please bring back the oxford, and please don’t mess with it by making the toes pointy. Thank you.

Yours sincerely,
Down to My Last Three Pairs of Comfortable Shoes in Virginia

* Actually, when I’m an old lady, I want to be an artsy old lady, or possibly a Hell’s Granny in motorcycle boots, but that’s another story.